Hush...Hush, Sweet Charlotte

Amazon.com

Poor Charlotte Hollis. She's been shunned by the community for decades, ever since the fateful night in 1927 when her lover was hacked apart with an axe. Her antebellum southern mansion is slated for the bulldozer, as it stands in the way of highway construction. Charlotte's only hope lies in her cousin Miriam (Olivia de Havilland), coming down from up north to help settle things. Miriam, however, has other designs. Together with her boyfriend Drew (Joseph Cotten), she embarks on a scheme to systematically drive Charlotte out of her mind (not a great leap) and get her mitts on the family fortune. From there, things only get more complicated. Charlotte puts the "gothic" in southern gothic, as a great showcase for completely bizarre, overwrought, and out-of-control performances from all involved. Agnes Moorehead plays Charlotte's loyal, disheveled housekeeper to the hilt, with an odd inflection that calls to mind Amos and Andy more than southern gentility. As the drunken, conniving Dr. Drew, Cotten's accent is indeterminate at times, and seems to come and go. As great as the supporting players are, though, the crown goes to Bette Davis as the shrieking Charlotte, a portrait of isolation and decay stuck in a world of tragic delusions inside her crumbling mansion. De Havilland is a close second as the scheming Miriam; the scene where she slaps the holy snot out of a hysterical Charlotte is itself worth the price of admission. Mary Astor (in her last role) and Cecil Kellaway (as a kindly Lloyd's of London adjuster) put in the only performances with any restraint, acting as counterweights for the rest of the cast. Besides, you'll never get another chance to see Joseph Cotten playing the harpsichord and singing, or caked in mud and lily pads! With Robert Aldrich's claustrophobic direction, Charlotte is as Southern as a field of kudzu, and as subdued as a train wreck. --Jerry Renshaw

Description

This is the tale of a wealthy southern spinster Charlotte Hollis (Bette Davis) who lives with her eccentric maid (Agnes Moorehead) in a decaying southern mansion, shunned by the townsfolk after the mysterious axe-murder of her late lover. When her jealous cousin (Olivia de Havilland) and her cousin's wily husband (Cotton) arrive for a visit, the two conspire to drive Charlotte insane and have her commited so the two can sell off her estate and pocket the proceeds.

Customer Reviews:

Lots Of Star Power In This Louisiana Gothic Melodrama.......2007-08-20

I first saw HUSH HUSH SWEET CHARLOTTE on television years ago when the local television stations still played a weekday afternoon movie interrupted by many commercials and "dialing for dollars." I was probably in my early teens then and remember being fascinated by the morbid drama and the haunting theme song has always been stored somewhere in my memory. I recently enjoyed re-watching the film and was happy to see it has held up as a gothic suspense film with some horror elements.

In a prelude we see handsome young Bruce Dern playing a married Lothario being told to break off his relationship with Charlotte by her father, played by Victor Bueno, who was actually still in his twenties when he filmed this role. Bruce Dern's character is murdered in a gruesome manner by an unseen attacker and we see Charlotte emerge in the midst of a party her father is giving looking bewildered and covered in blood.

Flash forward thirty-seven years and Charlotte, now played by Bette Davis, is an eccentric older woman living in her decaying Louisiana mansion, left to her by her now deceased father, that is about the be destroyed for highway construction. We learn Charlotte was the chief suspect in the long ago murder but her father was able to shield her from prosecution with his money and a hasty trip to Europe. Charlotte is looked after by Velma, a loyal servant and quite a character played by an excellent Agnes Moorehead (Endora of Bewitched fame). An old friend and the family doctor, Drew (played by Joseph Cotton) also takes a protective interest in Charlotte and her money. Charlotte's sweet voiced cousin Miriam (played perfectly by Olivia de Havilland) arrives to help the increasingly deranged woman make the transition out of her lifelong home which is about to be destroyed. Strange, spooky happenings begin to escalate and the viewer is left unsure of whether the supernatural, Charlotte's delusions or something more concrete are the cause. Meanwhile an insurance investigator from England who has always been fascinated by the case arrives while another major player in the mystery nears death and may be ready to reveal what she knows. All is satisfactorily explained by the end but not after several twists and some deaths occur.

Bette Davis is fine as the tortured Charlotte since the role calls for her brand of unsubtle performance. Olivia de Havilland (one of the four leads in GONE WITH THE WIND) is even better as the calm and competent Miriam who may have a secret or two of her own. And Agnes Moorehead does perhaps the best acting in her role of Velma the servant who knows and sees all. The soundtrack of the film is excellent and the black and white cinematography enhances the mood and atmosphere of the story. Well worth watching by anyone who enjoys a murder mystery with a touch of horror movie conventions.

over the top camp.......2007-08-07

If you want to have some fun watching two old broad icons from the golden age of Hollywood, this movie is for you. Bette Davis and Olivia DeHavilland chew the scenery with no holds barred and the result is over the top camp. The story line, with Bette living a life of guilt over the death of her married lover, can be confusing at times but the performances are worth watching. Agnes Moorehead, an actress who never got her due, is a riot as Velma, the housekeeper loyal to Bette. Certainly not a Bette Davis classic like The Letter or Dark Victory, but a good watch all the same.

A HAIR RAISING SHOCKER.......2007-06-09

THIS SUPERB FILM STARS BETTE DAVIS AS CHARLOTTE HOLLIS WHO HAS BEEN CLOSETED IN HER MANSION SINCE THE GRISLY MURDER OF HER MARRIED LOVER MANY YEARS EARLIER. FINE SUPPORT COMES FROM OLIVIA DE HAVILLAND AS HER COUSIN MIRIAM AND JOSEPH COTTEN AS DOCTOR DREW BAYLESS. THIS THRILLER WILL HAVE YOU ON THE EDGE OF YOUR SEAT AND SPECIAL MENTION MUST BE MADE OF CHARLOTTE'S LOYAL SERVANT OSCAR NOMINEE AGNES MOOREHEAD - I DON'T THINK EVEN THIS FINE ACTRESS HAS DONE ANYTHING BETTER. FINE REMASTERING FROM THE 1964 PRINT ADDS TO ONE'S PLEASURE SO DON'T MISS THIS REMARKABLE ACHIEVEMENT.

What A Twisted Tale Of Life-Long Deception!.......2007-05-26

Davis and DeHavilland are truly at their best in this shocking thriller, set in the bayou country of Louisiana. The setting, the family dynamics, and the un-expected twists and turns in the story will keep your attention riveted to the screen. I enthusiastically recommend this movie to all lovers of Hollywood classics...

Great entertainment.......2007-02-12

The story behind the conception of "Hush Hush Sweet Charlotte" is well documented, so the question is: without being another Bette Davis/Joan Crawford battlefest, does it match up to the runaway success of "Whatever Happened To Baby Jane"? My opinion is that it ranks as a good movie, but falls into the shadow of it's predecessor.

The plot follows Davis as Charlotte, an eccentric recluse who has been shunned by the townsfolk ever since her married lover was found brutally murdered at a party when she was a young girl. Branded as the killer, Charlotte has grown into a bitter and lonely old woman, who is finally forced to come out of her isolation when the county wants to knock down her house to build a new road. The main part of the film begins as Charlotte's cousin Miriam arrives in an attempt to talk some sense into her, and all the skeletons of the past come to light again.

The film is built around it's two central stars, Bette Davis and Olivia de Haviland (who plays Miriam). The two could scarcely be more different. Davis plays Charlotte as wide-eyed, shrill and in a constant state of nervous terror, while de Havilland delivers a performance of sleek velvety calm. The film hinges on the relationship between these two women, and out of the two of them, it is Miriam rather then Charlotte who suggests a character with much more going on beneath the surface, thanks to de Havilland's glacial cool. Davis is brittle and exhausting nearly all the time, and although she was one of the greatest Hollywood stars of her time, some more subtelty would have greatly enhanced the character of Charlotte in places. However, for the most part she is terrific, in fact her performance gets better and better as the film progresses, culminating in a very moving conclusion. De Havilland also does a great job, speaking in silky soft tones for the most part, but capable of erupting into surprisingly venomous anger as more of her true character comes to light. As is usual with a well known film like this, the twists and surprise revelations are already well known, but what impressed me was the the way the various strands were worked into the film, and how effectively some of the twists were then later built up into new twists! It must have been very effective for first time audiences in 1964, and for anyone who has not seen it even today.

The film looks great. Beautifully shot in black and white, it makes great use of selective lighting and deep shadows, more often than not inside the grand but rotting mansion that Charlotte lives in. There are also some great lines in the script, most often spoken by Davis, which make the proceedings border on high camp some of the time, but for the most part it is a quality product. What detracts from the enjoyment are some very lazy post dubbing in several places (where you can see that the actors are either mouthing something different or not speaking at all!), and the opening prologue set at a party supposedly in 1927, which has no attempt at period detail at all as most of the party goers are dressed in contemporary 1960's oufits (one girl even has a beehive hairdo!). This lack of care by director Robert Aldrich is more in line with one of William Castle's schlocky (but enthusiastic) efforts, rather than a major studio production like "Charlotte" was supposed to be.

I haven't really got that many bones to pick though, as the film delivers solid entertainment for most of it's 2hour running time. It IS a little long, but the constantly unravelling plot together with the performances from it's stars (not forgetting to mention the hilarious turn by Agnes Moorhead as the tousled maid) keep you hooked all the way through. Although some of the early parts are a bit of a screech-fest, it definitely improves as reaches the end, in fact Davis' performance in the last half hour becomes quite touching (barring her cross-eyed freak out on the stairs), and the ending scene especially shows that the film has a real heart.

Average customer rating:

A sticky bundle
Studio Classics - That's Entertainment
A good collection of movies from 1937-1969
What is this?

Studio Classics Collection Boxed Set
Starring: Audrey Hepburn , Tyrone Power , Bette Davis , Maureen O'Hara , and Walter Pidgeon
ProductGroup: DVD
Binding: DVD

( S ) | Titles | Features | DVD | Video
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ASIN: B000MCH7G6
Release Date: 2007-03-01

Amazon.com

This 40-Disc Collection includes some of the best in classic film, including 15 films nominated by the Academy of Arts and Sciences for Best Picture of the Year. This is a must-have in any classic film lover's library.

Customer Reviews:

A sticky bundle.......2007-08-14

This is a great value for some very good films indeed (about $6 per film at Amazon's discount). However, as one of the other reviewers noted, this is a bundle, not a proper collection. That means that all 40 films are separately wrapped with Fox's infuriating security stickers that do not come off cleanly. After spending an hour removing the stickers, you can expect to find DVD cases sticking together because of all the adhesive residue. Tacky in both the literal and figurative senses!

Otherwise a great deal (especially when you consider that most if not all titles include an audio commentary and other special features.)

Studio Classics - That's Entertainment.......2007-07-04

No - Studio Classics are not the great musicals of MGM, but it is a group of great movies from Hollywood. All but four of the movies are Oscar winners in a major category and four best picture winners. You need to like the black and white movies of the late 30's into the 40's and the All-Star color classics of the 50's. Not certain I'd call this a "collection," since it is a pretty eclectic group of movies, but a treasure chest of viewing pleasure for those that can watch a great movie again and again. Bring on the popcorn!

A good collection of movies from 1937-1969.......2007-01-27

The previous reviewer asked an excellent question - Why part with all of that money if you don't even know what films are included? So, I looked it up and here's the list:

In Old Chicago (1937), Nominated Best Picture, won Best Supporting Actress
Alexander's Ragtime Band (1938), Nominated for Best Picture
The Rains Came (1939), Stars Myrna Loy in an OK sentimental disaster film.

The Grapes of Wrath (1940), Nominated Best Picture, in AFI top 100 Films.
The Mark of Zorro (1940), Stars Tyrone Power in title role.
How Green Was My Valley (1941), Won Best Picture
The Black Swan (1942), Tyrone Power & Maureen O'Hara in a pirate film.
Orchestra Wives (1942), Stars Glenn Miller and his band.
The Ox-Bow Incident(1943), Nominated for Best Picture starring Henry Fonda.
The Song of Bernadette (1943), Nominated for Best Picture, won Best Actress.
The Keys of the Kingdom (1944), Gregory Peck nominated for Best Actor
Leave Her to Heaven (1945), Melodrama with Cornell Wilde & Gene Tierney
Anna and the King of Siam (1946), Rex Harrison in non-musical version of "The King and I".
My Darling Clementine (1946), John Ford, who actually knew Wyatt Earp, directs Henry Fonda as Wyatt Earp.
The Razor's Edge (1946), nominated for Best Picture.
Gentleman's Agreement (1947), - Won best picture, direction, supporting actress (Celeste Holm).
The Ghost and Mrs. Muir (1947), Gene Tierney as a widow plus Rex Harrison as the ghost she falls in love with.
The Snake Pit (1948), Nominated for best picture, stars Olivia DeHaviland as a mental patient.
A Letter to Three Wives (1949), nominated for Best Picture. 1 of 3 husbands has left his wife - but which one?

All About Eve (1950), Won Best Picture, helped revive Bette Davis' career
The Day the Earth Stood Still (1951), A terrific early sci-fi film
Titanic (1953), stars Clifton Webb and Barbara Stanwyck as a feuding couple aboard the doomed ship.
Three Coins in the Fountain (1954), Nominated best picture
Love Is a Many-Splendored Thing (1955), Nominated best picture
Anastasia (1956), Ingrid Bergman won Best Actress as the amnesiac heiress to the Russian throne.
The Man in the Gray Flannel Suit (1956), Gregory Peck as a businessman trying to balance his career and home life.
An Affair to Remember (1957), Cary Grant & Deborah Kerr in a great romance
Desk Set (1957), One of Tracy & Hepburn's better films.
The Three Faces of Eve (1957), Best Actress award for Joanne Woodward as a woman with three personalities.
Peyton Place (1957),classic melodrama and Nominated Best Picture
The River's Edge (1957, An OK Western/film noir combo.
The Inn of the Sixth Happiness (1958),stars Ingrid Bergman as a missionary in China.
The Best of Everything (1959), 1950's view of the world of secretaries. Joan Crawford as an evil boss.
The Diary of Anne Frank (1959), Nominated Best Picture, won 3 others.

Return to Peyton Place (1961), a mediocre sequel to the original.
Zorba the Greek (1964), Nominated Best Picture, stars Anthony Quinn.
Hush... Hush, Sweet Charlotte (1964), Bette Davis in a great bizarre tale.
How to Steal a Million (1966), classic 60's comedy with Peter O'Toole & Audrey Hepburn.
Two for the Road (1967), Nominated for best screenplay, great love story told in flashbacks.
The Prime of Miss Jean Brodie (1969), Best Actress for Maggie Smith as a schoolteacher with unconventional ideas.

All in all, this is a good collection of 40 critically acclaimed and award-winning films from the years 1937-1969 that continue to be popular. They encompass all genres, and I count only two real clunkers among them - "Return to Peyton Place" and "The Rains Came". There are a lot of Academy Award winners among them - and I'm not talking just Best Song or Best Cinematography either. I counted 15 nominations for best picture, and a few actually won the top award. With the price heavily discounted as it is, it works out to six dollars per classic movie, which is a pretty good deal.

My impression is that this is just a DVD bundle, not a collector's edition of any kind. Thus I would not anticipate any extras other than those that are already on the included individual DVD's containing the movies themselves.

What is this?.......2007-01-20

You would think for five hundred and fifty five dollars there would at least be a list of the movies included!!

DVD:

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